"If you play more than two chords, you're showing off." Woody Guthrie

Tuesday, June 29, 2010

Carnaval Carolina 2010- a critique

On Sunday afternoon, I went to the 13th annual Carnaval Carolina at Metrolina Expo in Charlotte. I wasn't sure what to expect; I'd heard a lot of hype and a lot of negative comments about the event. As I walked into what was a glorified parking lot sweating in the insufferable heat of a hot June day, I took a look around to see what was up.

First off, the sonic dissonance was overwhelming, at least during the moments when music was being played at multiple stages, and blaring out of a DJ booth in a sponsor's tent. This is one thing I've noticed at a few festivals lately, you are trying to listen to one band and the sound's a bit off, then you realize it's because there is another band starting to play across the way on another stage. (Note to festival organizers, if you are going to have multiple stages, point them away from each other or put some sort of sound barrier between them!)

As I walked around, it appeared everyone was having fun, families taking their kids to ride amusement park-type rides, teenagers watching the stunt bicyclists do tricks off of ramps and checking each other out, and everybody passing by the main stage(s) to listen to music.

Monster Energy Drink biker doing a stunt-



One group that wasn't happy, it appeared, were the bands. The main stage was set up with two stages side by side, so that, ostensibly, while one band was performing, the sound guys could change out the other stage and prepare for the next performance. So when Rey Norteno, for example, started playing on the left hand stage, the right side was abuzz with activity. However, the musicians were not pleased when, two songs into their set, the radio DJs rudely cut them off and started talking to the audience. I could tell from my spot next to the stage that the lead singer was pissed, and the band kept playing, until the organizer cut their mics. As someone told me after the event, the first song was spent trying to get the sound right, and just when musicians were getting into a groove in the second song, they were cut off. But the two stage thing wasn't that effective, 10 minutes was not enough time to switch over and there still ended up being a lot of dead time between acts.

Rey Norteno performs briefly-



And for one changeover I witnessed, the switch was not from band to band, but from band to a string of celebrity appearances and proclamations from government officials and sponsors. I was treated to a 30 minute performance by La Chilindrina. If you don't know who that is, she is an adult who dresses up like a child, with pigtails and nerd glasses, and talks in an annoying high-pitched voice on a daytime television show. Her "jokes" weren't funny, and after a few minutes the whole act seemed a little insulting to the audience's intelligence. Not very many people were laughing, even those who could hear the poor sound quality coming from her faulty wireless microphone. By the end, the audience, and especially the young men in the area near me, started calling for MUSIC!

But the organizer decided one celebrity should be topped by another. Carmen Salinas, a telenovela star and singer, came to the stage. Proclamations by city and state officials followed. They let so many media on stage that the cameras surrounded the diminuitive actress, and the crowd couldn't see her to take pictures. So folks started throwing water bottles at the cameramen and shouting for them to get down. Finally Senora Salinas took the mic, told the cameramen to get out of the way and then turned around to tell the politicians they should take heed not to pass a law similar to Arizona's harsh immigration policy in North Carolina and moreover, that they should get rid of the 287(g) program. This lady had spunk!

Carmen Salinas on stage-



I listened to a few more bands, including one called Voluntad Musical that had a lead singer with a pot belly who was tearing it up like James Brown. But finally the heat was too much for me, and I decided to head out.

Voluntad Musical-




Some other observations:

1. Unlike years past, this year the carnaval did feature port-o-johns. Which was lucky, because I did have to pee at one point.

2. I found it a bit tacky that the organizer of the event, Alez Ruiz, performed a set (of many more that 2 songs) with his band. His excuse that he was hoarse (from annoucing celebrities) was a laughable explanation for his lackluster singing performance.

Alex Ruiz performs:



3. I heard through the grapevine that, on a 95 degree day, Mr. Ruiz did not provide any of the performers with water or refreshments.

4. For $10 entry and $10 parking, I'm not sure how much of a good deal this carnaval was, especially since it's in the middle of nowhere.

5. What's the newest thing in cowboy boots? I saw a few guys walking around with these on:




6. Quite a few people showed up, but it is false advertising to claim that this is "la fiesta mas grande de los Estados Unidos." Umm, No.

A view of the crowd-



7. Here are a few of the bands that performed:

Salazar Band-



La Autoridad de la Sierra-



I didn't catch the names of the following groups; if you recognize someone, let me know.








Monday, June 28, 2010

Tito Puente Jr. with Charlotte Symphony



On Saturday evening, I attended a concert with Tito Puente Jr. and the Charlotte Symphony. Puente Jr. played some of his father's classic compositions and a lesser-known piece he wrote near the end of his life for the Orquesta Sinfonica de Puerto Rico. Two local bands I have been following, Ultimanota and Orquesta Mayor, opened up the show at Symphony Park. It was a hot and muggy night, but that didn't stop people from dancing and having fun. Here are some photos.

Isaac warms up on Orquesta Mayor's upright electric bass.



Tony tries to keep cool-



Ultimanota on stage-



A group photo backstage-



Helder of Orquesta Mayor warming up.



Orquesta Mayor's vocalists-



Orquesta Mayor backstage-



Tito Jr. takes the stage:



Like father, like son (facial expressions)-



Dancers in front of the stage-

Wednesday, June 16, 2010

Virginia Beach Latin Music Festival



The Hardee's Latin Festival in Virginia Beach is two afternoons and evenings of music by the water. Which by itself is a reason to go, but I went as part of my research, traveling with the band Ultimanota by car 6 hours north from Charlotte. One of the goals of my study (or at least this is what I wrote in my grant proposals) was to document the "going on tour" experience. So far, I hadn't had an opportunity to travel with bands, but I hitched a ride last weekend.

Attending the festival was important because several bands from Charlotte were booked to play there. In fact, for a few hours on Saturday, the hotel where we stayed took on a reunion atmosphere as band members from Banda Tecno Caliente, Leydy Bonilla & Bachata Flow, and Soul Brasil all passed through. The other (non-Charlotte) groups included Locos por Juana and Mala Fe. The crowd was impressive, especially at night, with a lot of Puerto Ricans, some Mexicans, some Brazilians, and a diverse mix of everybody else.

In the end, we returned exhausted but with plenty of stories, some of which I can share here:

1. You can learn a lot about musicians' influences by spending hours in a car listening to each others ipods and debating who has the better song selection.

2. A good way to save money on such a trip is to find an all-you-can-eat BBQ place for lunch, fill up, and skip dinner.

3. A Brazilian group is good, but having professional samba dancers go into the crowd is the best way to get people dancing.

4. Reinaldo from Soul Brasil was supposed to play a couple of songs with Ultimanota, but just before the set, he reached into his bag, cut his finger on a razor, and started bleeding profusely. Good thing another musician from his band was talented enough to step in his place.

5. Four passengers giving directions at the same time is not always helpful, but GPS on a phone is.

Here are some photos of the weekend.

Leaving Charlotte-



Arriving at the hotel-



The infamous Beatles shot-



Latin Jazz Conspiracy performs on Friday evening-



Local 34 plays-



Locos por Juana performs (everything's cooler when you wear a captain's jacket)-





The crowd at night-



Banda Tecno Caliente plays on Saturday afternoon-



Soul Brasil on stage-



Movimento de Samba's dancers get the crowd on its feet-



Ultimanota takes their turn-





After the show, the guys were joking around. "You're shittin' me," Oscar exclaimed.



Baby, I want my money...



Ultimanota and me in front of the boardwalk-



Leydy Bonilla & Bachata Flow got everybody dancing with their high energy flavor-



Sunday, June 6, 2010

Azucar!: a Caribbean Celebration



On Friday, another event that I helped organize for the Latin American Coalition was held at the Neighborhood Theatre in Charlotte. This time it was called "Azucar!" which means sugar in Spanish, but the phrase means more than that. The late great Celia Cruz would call out Azucar! and it became her catch-phrase. But it also signifies the excitement of Caribbean music, the driving rhythms of salsa, the powerful harmonies of a bolero, the tingle of goose bumps on your neck when you hear a sad bachata, or the pulse of feet stamping to a merengue. Originally the show was conceived as a Cuban show, but then we decided to make it about the entire Spanish-speaking Caribbean, to highlight the common threads between the islands but also to showcase the region's diversity of music and dance.

The show was broken up into three parts, the first featuring music and dance from Cuba- son montuno, cha-cha-cha, mambo, then moving east to the Dominican Republic- merengue, bachata, and reggaeton, and ending up with Puerto Rico- bomba y plena and salsa. Each section had bands playing live music and dancers performing to recorded tracks.

The theater was packed, the crowd energetic, and people didn't stop dancing until close to midnight. There was even an after party.

Here are some pictures.

Havana Social Club giving dance lessons



Cubanos-



Dancing-





Orquesta Mayor plays some Cuban son-



D.S. rapped some reggaeton-



and got down and dirty...



Bachata Flow played some bachata and merengue-



And then backed up Leydy Bonilla on a few songs...



Charlotte Salsa danced-





And Orquesta Mayor closed out the show.